Print's Past: Thomas Cotterill

My father was brought up in Cotterills Lane, Birmingham. It always seemed quite fortuitous that a future compositor should start his life in a road named after a typefounder.

Born in Birmingham, Thomas Cotterill was an apprentice to fellow Mid-lander William Caslon I with whom he learned dressing but not cutting. According to Moxon, Cotterill learned the art of punch cutting ‘of his own genuine inclination’, a skill that subsequently made him into one of the most eminent typefounders of the late 18th century with a workshop in Nevil’s Court, Fetter Lane, London.

Cotterill began typefounding in 1757 when he issued a fount of English Roman; he went on to cut all the common roman and italic types, non-roman letters such as Cyrilic and some less common characters such as Proscription or Posting letters of ‘great bulk and dimension as high as 12 l. of a pica’. This letter was to form the basis of the fat face characters thought to be ‘invented’ in 1819 by Cotterill’s apprentice and successor Robert Thorne.

Caroline Archer is a writer and eminent print historian