News

The acquisition of Office2Office (O2O) by Evo Business Supplies, a new company set up by UK private equity investor Endless for the purpose of acquiring O2O, has been cleared by the UK Competition and...

B2B calendar printer Rose Calendars has installed photovoltaic panels on the roof of its factory as part of its strategy to reduce its carbon footprint and strengthen its green credentials.

Trade finisher Ace Binding has bought two Horizon VAC-1000 collating towers and a range of Renz finishing equipment to boost its productivity.

Around 850 of the industry’s great and good celebrated the best that the UK print industry had to offer at the PrintWeek Awards last night.

When Sotheby’s came knocking, Pureprint answered.

It’s four in row for Trinity Mirror, which has made this category its own since 2011, thanks to punchy colour and adventurous technological advances.

The Imax cinema in central London is the largest cylindrical wrap poster site in Europe and Odessa was commissioned by Ocean Outdoor to produce a poster for The Amazing Spider-Man 2 movie.

Push Print has won this hyper-demanding category where detail and quality are everything.

Augustus Martin was commissioned by Tag on behalf of Maybelline to develop a bespoke unit for the launch of the Big Eyes mascara and eye shadow ranges.

It was the personal touch that did it. Car dealer JCT600 asked Eclipse Red to produce a more personalised automated communication package.

“The book has Swiss-watch precision,” was the client’s verdict on the 2,500 copies of Giacometti Without End.

If Jordan Dudas was curious about printing, his bosses we no less fascinated by their new recruit when he turned up at AJS Labels late last summer.

Screaming Colour has done it again. Last year it won this category on its problem-solving prowess; this year it took the number-one spot for its flair on projects such as a catering proposal for Leeds...

Real Digital is making a habit of this. Last year it came top and the year before it was runner-up in this category, by balancing smart use of data and high-quality creativity.

Maybe it was the excellent lift and detail on all those uncoated text sections. Or perhaps that dense black on monochrome imagery worked its magic. Whatever, since moving to Park in 2013, It’s Nice...