Me & My

Me & my: Enfocus Switch 11

It's easy for most of us to forget just how much work software is doing to make our lives easier day in, day out. Most of us, that is, apart from those courageous and clever souls whose job it is to...

Me & my: Foliant Gemini C 400S

Talk of impressive feats of engineering are not uncommon at Cranfield University. The Bedfordshire institution is home, after all, to one of the top schools of science and engineering in the country,...

Me & my: Kodak NexPress SX3900

You'd expect an invite to Buckingham Palace to be just a bit fancy. And you'd expect that, as such, it would probably have had all manner of special finishing techniques lavished upon it, either...

Me & my: Xerox Nuvera 144 EA

All things considered, running a print business is really very similar to being a rock star. The all-nighters, the boozing, the outrageous costumes, the adoring fans... Okay, perhaps there are some...

Me & my: Fujifilm XMF

It was the 3D proofing that initially swung it for Gildenburgh. When the Peterborough-based company came to swap its old workflow system for new technology, one of the standout features of Fujifilm's...

Me & my: Horizon SPF/FC-200A bookletmaker

Swindon. Home to the infamous 'magic roundabout', a baffling experience for the casual visitor to the town.

Me & my: Screen Truepress Jet W1632UV

Printers don't often declare themselves grateful for machine downtime. There aren't, after all, many silver linings to watching the minutes and hours tick by while a press fails to make you money, and...

Me & my: Goss Purlux 1200 saddlestitcher

In the midst of all-singing-all-dancing new applications, and machines that promise to deliver previously unimaginable speeds and levels of quality, kit that puts in an impressively solid performance...

Me & my: SwissQprint Nyala

"I'm a tight Yorkshireman, I don't part with money easily at all." So says James Dixon, managing director of Halifax-based display and merchandising specialist Retail Services Group.

Me & my: Komori Enthrone E29

The old machine is in India and "that's where it will stay", quips Ray Thistleton, looking at his new press in south London, which is where it will stay.