Sections

Augustus Martin was commissioned by Tag on behalf of Maybelline to develop a bespoke unit for the launch of the Big Eyes mascara and eye shadow ranges.

“Posters are coming back into fashion again,” insists last year’s finalist who went one better this year using a cold-foil process and bold contrasting colours for a job for GB Eye. “Now the gift and...

Eclipse 4DM has gone one better than last year’s commendation. Category sponsored by Maillinx by Paperlinx One of the largest volume direct mail producers in the UK, it mails more than 250m packs a...

It was the personal touch that did it. Car dealer JCT600 asked Eclipse Red to produce a more personalised automated communication package.

“The book has Swiss-watch precision,” was the client’s verdict on the 2,500 copies of Giacometti Without End.

If Jordan Dudas was curious about printing, his bosses we no less fascinated by their new recruit when he turned up at AJS Labels late last summer.

Screaming Colour has done it again. Last year it won this category on its problem-solving prowess; this year it took the number-one spot for its flair on projects such as a catering proposal for Leeds...

Real Digital is making a habit of this. Last year it came top and the year before it was runner-up in this category, by balancing smart use of data and high-quality creativity.

Maybe it was the excellent lift and detail on all those uncoated text sections. Or perhaps that dense black on monochrome imagery worked its magic. Whatever, since moving to Park in 2013, It’s Nice...

The customer wanted its labels to resemble leather-bound books, but there is no disguising the talent that helped Label Apeel win this category for a second year running.